Writers: Chaz Echols, Marques Houston
Stars: Draya Michele, Jessica Vanessa DeLeon, Ross Fleming
Rating: NR
Genre: Drama
Runtime: 180 minutes
A man rekindles his relationship along with his former wife, which does not sit well with one more woman who's obsessed with him. A recovering alcoholic school professor trying to put his or her life back together meets any seductive new student. The lady offers him a sensuous escape from reality till he realizes she can be insane.
We Belong Collectively, like most “That woman is crazy! ” films, does not make said woman problematic figure but more so some sort of generic replica of just what you’re already familiar with. 26-year-old Tracy has just got away from jail and enrolled at a college in Los Angeles, perhaps Sacramento, for reasons unknown. We’re never told her significant or interest, just that this lady ends up in a Mythology wine glass ran by a Mr. Thomas Lewis.
Someone who just recently acquired off a sabbatical they took due to his existence falling apart. Yet, with your pet sober now and repairing the relationships he damaged, he feels stable and maybe happy. That’s until Tracy, jealous of the closeness Betty has with his TA, Leslie, decides she wants your pet. Thus leading to a series of occasions you can likely already suppose. Well, outside of the ending, the industry minor change from what we generally see.
Initially, I thought this is going to be like Only For One particular Night in, despite the very low expectations for Draya Michele, the bar would be raised. Which, in some ways, it was. Still, I must admit, I don’t realize if it was her acting and how she played off of Whitfield or because of just how much Stoke plays on her elegance which leaves you entranced. For with the way All of us Belong Together is chance, you come to understand how Betty was seduced.
How, despite his mind saying no, temptation, over and over, wore straight down his morals and sense of right and completely wrong until he couldn’t aid but give in. Especially thinking about he was single, likely has not been with someone in months, maybe over a season, and it isn’t like the girl had any friends over and above his AA sponsor magnificent TA. Tracy (Draya Michele) trying to invite Thomas to get sex. Initially, I thought this was going to be like Only For One particular Night in, despite the reduced expectations for Draya Michele, the bar would be raised. Which often, in some ways, it was. But, I must admit, I don’t understand if it was her behaving and how she played away Whitfield or because of simply how much Stoke plays on her beauty which leaves you gaping.
For with the way We Belong Together is hit, you come to understand how Betty was seduced. How, despite his mind saying zero, temptation, over and over, wore straight down his morals and perception of right and wrong until he couldn’t support but give in. Especially thinking about he was single, likely hasn’t been with someone in months, maybe over a season, and it isn’t like the man had any friends past his AA sponsor and his TA. But, as we enterprise into Tracy getting a bit crazy, that is when Michele is apparently pushing herself past wherever she is as an actress.
Which usually isn’t to say she cannot play crazy, the way the woman eyes look in some views may give you pause, yet between her dialog, typically the performance, and the story?
There exists a strong vibe that when this particular film was made, they should have followed the policy of “Less is more. ” Complaint They Could Have Made Tracy’s Cause of Flipping Out Better The condition with damn near almost all films like this is they make the woman crazy without adding much, if any, onus on the man. And actually, yes Tracy did rest about quite a few things, however there were multiple warning signs, while noted, that Thomas avoided.
Some of which should have made it obvious, if you are going to have sex with this woman on the regular, be full-on intimate, you should come correct.
Yet, the film doesn’t really allow Tracy being someone complex and difficult. Her mental illness, currently often used in films like this, is just a quick and easy means to clarify why she is acting just how she does. That and because, I guess, the d*** ended up being so bomb that she couldn’t allow someone to get in the way of consistent appointments.
All of which seems like such lazy publishing, since we see it frequently, that it takes away from almost everything Michele was doing that will made this seem like a good function for her.
#WeBelongTogether
